A True love Mughal PRINCE SALIM[later emperor JEHANGIR] & SLAVE girl ANARKALI

King Jahangir in Court





























Akbar and Jahangir
























Moghul Emperor Jahangir














This Mosque was constructed by Emperor Akbar as a token of his Devotion and Gratitude on the occasion of the birth of prince Salim(Jahangir) in the year 1455












emperor jehangir with the painting of a woman--anarkali?




















emperor Jahangir with courtesan





















emperor Jahangir with painting of ?Akbar?








Queen Noor Jehan:-Noor Jehan – QUEEN OF EMPEROR JEHANGIR



Tomb of Noor Jehan

Her real name was “Mehr-un-Nisaa”, In March 1611, luck knocked her door. She met the Emperor Jahangir at the palace “Meena Bazaar” during the spring festival. Jahangir was so fascinated by her beauty that he wasted no time in proposing her and they were married after two months. After her marriage she was conferred the title “Noor Jehan” ("Light of the world").

This affection led to Noor Jehan’s exerting a great deal of power in affairs of state. For many years, she effectively exercised imperial power and was recognized as the real force behind the Mughal throne. She is also known as one of the most powerful women who ruled a big part of South Asia with an iron fist. Emperor Jahangir even permitted coinage to be struck in her name, something that traditionally defined sovereignty.

Emperor Jahangir was captured by rebels in 1626 while he was on his way to Kashmir. Noor Jehan intervened to get her husband released. Jahangir was rescued but died on October 28, 1627. After his death, Noor Jahan, along with her daughter Ladli Begum, lived in Lahore until her death in 1645 and is buried at Shahdara in Lahore in a tomb she had built herself, near the tomb of Jahangir. Her brother Asaf Khan's tomb is also located nearby.







Emperor Jahangir died in 1627 AD on his way back from Kashmir to Lahore. According to his wish, he was buried in the spacious garden “Dilkusha” (1538x1538 feet) of his wife queen Noor Jehan at Shahdara on the banks of river Ravi. This tomb was built by his son Emperor Shah Jahan in 1637 AD




Anarkali's Tomb, Lahoreis situated on the premises of the Punjab Civil Secretariat in Lahore Pakistan and now houses the Punjab Records Office. Previously, it had been transformed into a Christian church by the invading British. A bazaar (market) located nearby on The Mall Road is named Anarkali bazaar after Anarkali. It is one of the oldest surviving markets in Pakistan, dating back at least 200 years.

The mausoleum is an octagonal building covered with a dome. At each corner of the building is an octagonal turret surmounted with a kiosk. In olden times, this building was surrounded by a garden that had at its entrance a double-storeyed gateway but no trace of the garden survives. The building still enshrines a beautifully inscribed monolithic sarcophagus. On the sarcophagus are inscribed 99 names of Allah and the Persian couplet:

تا قیامت شکر گویم کردگار خویش را
آہ گر من باز بینم روئ یار خویش را

tā qiyāmat shukr gūyam kardigāre khīsh rā
āh! gar man bāz bīnam rūī yār-e khīsh rā

I would give thanks unto my God unto the day of resurrection
Ah! could I behold the face of my beloved once more


On the northern side of the sarcophagus are inscribed the words "مجنون سلیم اکبر" (majnūn Salim Akbar, the one profoundly enamoured by Salim, son of Akbar).

The sarcophagus also bears two dates, given in both letters and in numerals: 1008 Hijri (AD 1599-1600) on the eastern side of the sarcophagus and 1024 Hijri (AD 1615-16) on the western side.

Scholar Ahsan Quraishi mentions one more inscription in the tomb, that is said to have been destroyed by General Ventura, the French mercenary fighting for the Sikhs, who used the monument as his residence. The contents of this extinct Persian inscription can be translated as follows: "The innocent who is murdered mercilessly and who dies after enduring much pain, is a martyr. God considers him/her a martyr".



The son of the great Mughal emperor Akbar, Salim, fell in love with an ordinary but beautiful courtesan Anarkali. He was mesmerized by her beauty and fell in love as soon as he saw her. But the emperor could not digest the fact that his son was in love with an ordinary courtesan. He started pressurizing Anarkali and devised all sorts of tactics o make her fall in the eyes of the young, love smitten prince. When Salim came to know of this, he declared a war against his own father. But the mighty emperor's gigantic army is too much for the young prince to handle. He gets defeated and is sentenced to death.

This is when Anarkali intervenes and renounces her love to save her beloved from the jaws of death. She is entombed alive in a brick wall right in front of her lover's eyes. Some people however say that she did not die. The tomb was constructed on the opening of a secret tunnel unknown to Salim. It is said she escaped through that tunnel and fled the place, never to return again. Thus, ends the tragic love story of Salim and Anarkali
POST SCRIPT:- BECAUSE ANARKALI WAS BURIED(ALIVE)IN LAHORE IN 1599 PRINCE SALIM (THEN EMPEROR JEHANGIR)MADE THE MAUSOLEUM FOR HER IN LAHORE IN 1615;LATER WHEN HE DIEDIN 1627;HE WILLED;HIS REMAINS SHOULD BE NEAR HERS ;IN LAHORE AT SAHDRA .HIS FAMOUS MAUSOLEUM CAN BE SEEN IN LAHORE.
HE WAS THE ONLY MUGHAL EMPEROR BURIED IN LAHORE --ALL BECAUSE OF HIS LOVE FOR ANARKALI


The Story of Anarkali[ AS PER WIKIPEDIA]


The Great Mughal emperor Akbar and his wife, Jodha, were blessed with a son named Prince Saleem (later Emperor Jahangir). He was a spoiled and rude boy and because of this, Akbar the Great sent his son away to the army for fourteen years to learn the discipline required to rule the empire. Finally, Akbar allowed this son to return to the main palace in Lahore, (the capital of the Mughals). Since this day was one of great celebration, the harem (court) of Akbar decided to hold a great Mujra (dance performance) by a beautiful girl named Nadeera D/O Noor Khan Argun. Since she was an exceptional beauty, "like a blossoming flower", Akbar named her as Anarkali (blossoming pomegranate).

During her first and famous Mujra in Lahore,Pakistan, Prince Saleem fell in love with her and it later became apparent that she was also in love with him. Later, they both began to see each other although the matter was kept quiet. Later, however, Prince Saleem informed his father, Akbar, of his intention to marry Anarkali and make her the Empress. The problem was that Anarkali, despite her fame in Lahore, was a dancer and a maid and not of noble blood. So Akbar (who was sensitive about his own mother, Hamida Begum, being a commoner) forbade Saleem from seeing Anarkali again. Prince Saleem and Akbar had an argument that later became very serious after Akbar ordered the arrest of Anarkali and placed her in one of the jail dungeons in Lahore.

After many attempts, Saleem and one of his friends helped Anarkali escape and hid her near the outskirts of Lahore. Then, the furious Prince Saleem organized an army (from those loyal to him during his fourteen years there) and began an attack on the city; Akbar, being the emperor, had a much larger army and quickly defeated Prince Saleem's force. Akbar gave his son two choices: either to surrender Anarkali to them or to face the death penalty. Prince Saleem, out of his true love for Anarkali, chose the death penalty. Anarkali, however, unable to allow Prince Saleem to die, came out of hiding and approached the Mughal emperor, Akbar. She asked him if she could be the one to give up her life in order to save Prince Saleem, and after Akbar agreed, she asked for just one wish, which was to spend just one pleasant night with Prince Saleem.

After her night with Saleem, Anarkali drugged Saleem with a pomegranate blossom. After a very tearful goodbye to the unconscious Saleem, she left the royal palace with guards. She was taken to the area near present-day Anarkali Bazaar in Lahore where a large ditch was made for her. She was strapped to a board of wood and lowered in it by soldiers belonging to Akbar. They closed the top of the large ditch with a brick wall and buried her alive


She was placed in an upright position at the selected place and walled in with bricks. Prince Salim felt intense remorse at her death and had a monument raised over her sepulcher once he became Emperor.

The tomb, to the south of Lahore's Old City, has lost most of its original decoration. Octagonal in plan, its sides alternately measure 44 feet and 30 feet. It stands on an octagonal platform. On each corner there is a domed octagonal tower, and in the centre, a large dome on a high cylindrical neck. A notable feature of this massive structure is its upper storey gallery and bold outlines. It is one of the earliest existing examples of a double domed structure . The lower shell of the dome is constructed of small bricks in five stages or rings. The central dome is supported inside by eight arches 12 feet 3 inches thick. It is a masterpiece of solid masonry work of the early Mughal period.

In the time of Ranjit Singh, the building was occupied by his son Kharak Singh, who gave it to an Italian general, Ventura, who converted it into a private residence. The monolithic marble gravestone had already been removed. Later, it served as an office for the Punjab Board of Administration until 1851, when it was converted into a Protestant church. In 1891 it reverted to the Punjab government.

The sarcophagus, made of a block of pure marble of extraordinary beauty and exquisite workmanship, was put away in one of the side bays when the building was first converted into a church. It was then placed in the spot from which the altar had been removed rather than being replaced in its original central position. In 1940 the grave was found intact in its original position, five feet below the present floor. From accounts of its discovery, the grave is apparently of plastered brick-work, inscribed on the top and sides with the ninety-nine attributes of God and below with the inscription, "the profoundly enamored Salim, son of Akbar." The sarcophagus bears two dates, 1599 (supposed to refer to the death of Anarkali) and 1615 (supposed to be the date of the tomb's erection).

A love KING BAZBAHADUR &SINGER RUPMATI india 1400

The Defeat of Baz Bahadur of Malwa by the Mughal Troops, while Rani Roopmati, and her female companions, view the scene from the terrace of the fort. 1561



















Rupmati and king bazbahadur on a moon lit night at mandu near the palace












Rupmati's Pavilion upstairs















Rupmati's Pavilion









Rupmati's Pavilion inside at Mandu Madhyapradesh state












Rupmati Pavilion - Rewa Kund





Baz Bahadur, ever so fond of music, was the last independent ruler of Mandu.

Once out hunting , Baz Bahadur chanced upon a shepherdess frolicking and singing with her friends. Smitten by both her enchanting beauty and her mellifluous voice, he begged Roopmati to accompany him to his capital. Roopmati agreed to go to Mandu on the condition that she would live in a palace within sight of her beloved and venerated river, Narmada. Thus was built the Rewa Kund at Mandu.

Nowadays, their family members' are living in Indore.


The End of The Love Tale



Unfortunately, the romance of this Muslim prince and Hindu shepherdess was doomed to failure. The great Mughal Akbar decided to invade Mandu and capture roopmati and baz bahadur. Akbar sent Adham Khan to capture Mandu and Baz bahadur went to challenge him with his small army. No match for the great Mughal army, Mandu was easily defeated fell.
Baz Bahadur fled to Chittorgarh to seek help. As Adham khan came to Mandu, was surprised by the beauty of roopmati and Rani Roopmati stoically poisoned herself to avoid capture. Thus ended this magical love story steeped in music, poetry and beauty.

Poems of Rani Rupmati


In 1599, Ahmad-ul-Umri Turkoman, who was in the service of Sharaf-ud-Din Mirza wrote the story of Rani Rupmati in Persian. He collected 26 poems of her and included them in his work. The original manuscript passed to his grandson Fulad Khan and his friend Mir Jafar Ali made a copy of the manuscript in 1653. Mir Jafar Ali’s copy ultimately passed to Mehbub Ali of Delhi and after his death in 1831 passed to a lady of Delhi. Jemadar Inayat Ali of Bhopal brought this manuscript from her to Agra. This manuscript later reached C.E. Luard and translated into English by L.M. Crump under the title, The Lady of the Lotus: Rupmati, Queen of Mandu: A Strange Tale of Faithfulness in 1926. This manuscript has a collection of twelve dohas, ten kavitas and three sawaiyas of Rupmati.

Rewa kund and Rani Roopmati pavilion


The Rewa Kund is a reservoir built by Baz Bahadur, equipped with an aqueduct to supply Roopmati's palace with water. Today, the site is revered as a holy spot. Baz Bahadur's Palace was constructed in the early 16th century, and is notable for its spacious courtyard fringed with halls, and high terraces which give a terrific view of the lovely surroundings. Rani Roopmati's Pavilion was built as an army observation post. It served a more romantic purpose as Roopmati's retreat. From this picturesque pavilion perched on a hilltop, the queen could gaze at her paramour's palace, and also at the Narmada flowing by, below

Rewa Kund Monument


¤ Grand Reservoir

You’ll have to trek about 3.2km south of the monuments around the village to reach this group of buildings. The Rewa Kund is a tank of sacred water from the Rewa, another name for the revered Narmada. This is where the love of the musician-prince Baz Bahadur and Rani Roopmati flowered.


¤ Palace of Baz Bahadur

Perched on the hill is the Palace of Baz Bahadur (1509), once supplied with water from this very kund or tank by a water lift. An interesting blend of Rajput and Mughal styles, it was actually built well before Baz Bahadur came to power.
The main part of the palace is a spacious open court with halls and rooms on all four sides. On the northern side, beyond the colonnade is a projecting octagonal pavilion with arches overlooking an old garden.
On the terrace at the south end are two beautiful baradaris offering a lovely view of the countryside.


¤ Rani Roopmati’s Pavilion

To the south of Baz Bahadur’s Palace, near the edge of the fort are Roopmati’s Pavilions. Built in three different stages, probably early 15th century with extensions later, these pavilions were occupied by Baz Bahadur’s beloved mistress, Rani Roopmati.
It is believed that the pavilion was originally built as an army observation post. It was initially a massive low hall with two rooms at each end and a thick sloping plinth. Subsequently, the building was extended westward alongside the plinth, but it is the latest addition, the pavilions, that made this building special enough to house the love of Baz Bahadur’s life. The pavilions are square in design with hemispherical domes. These pavilions were special to Rani Roopmati too because she could see the Narmada in the valley below. Indeed, the view from here at sunset or by moonlight across to the Narmada valley 305m below is truly sensational.

A love PRINCESS SASSI &PRINCE PUNNU 1400's india

Sassi Punnun

[From Wikipedia, the free encyclopedia]

Sassui Punnun (or Sassui Panhu or Sassui Punhun) (Urdu: سسی پنوں); is one of the seven popular tragic romances of the Sindh and four of the most popular in Punjab. The other six are Umar Marvi, Momal Rano and Sohni Mahiwal, Laila Chanesar, Sorath Rai Diyach, Noori Jam Tamachi commonly known as Seven Queens (Sindhi: ست مورميون) of Shah Abdul Latif Bhittai .
Sassui Punnun was written by the Sindhi and Sufi poet, Shah Abdul Latif Bhittai in (1689-1752). Regionaly this unforgetable Romance happened in the region of Balochistan district Turbat, Pakistan.

Contents
1 Makran Coastal Highway
2 Sassi
3 Sassi and Punnun meet
4 Punnun's brothers
5 The lovers meet their end
6 See also


Makran Coastal Highway
The Makran Coastal Highway is located in Balochistan, Pakistan. As we drive along the Makran Coastal Highway we can see The fort of Sassi Punno whose construction dates back to 500 to 1000BC. It is widely believed that the Princess of Hope waited here for her prince Punno hoping that he would come, but with the passage of time she transformed into a figure made out of stone. One interesting feature of the figure is that her visage is facing Kech Turbat, the region where Punno


Sassi
'Sassi was the daughter of the King of Bhambour it is in Sindh, Pakistan. Upon Sassui's birth, astrologers predicted that she was a curse for the royal family’s prestige. The King ordered that the child be put in a wooden box and thrown in the river Indus. A washerman of the Bhambour village found the wooden box and the child in the box. The washerman believed the child was a blessing from God and took her home. As he had no child of his own, he decided to adopt her.Sussi is also known as the princess of hope.



Sassi and Punnun meet

When Sassi became a young girl, she was as beautiful as the fairies of heaven. Stories of her beauty reached Punnun and he became desperate to meet Sassi. The handsome young Prince of Makran therefore travelled to Bhambour. He sent his clothes to Sassui's father (a washerman) so that he could catch a glimpse of Sassi. When he visited the washerman's house, they fell in love at first sight. Sassi's father was dispirited, hoping that Sassi would marry a washerman and no one else. Sassi's father asked Punnun to prove that he was worthy of Sassi by passing the test as a washerman. Punnun agreed to prove his love. While washing, he tore all the clothes as, being a prince, he had never washed any clothes; he thus failed the agreement. But before he returned those clothes, he hid gold coins in the pockets of all the clothes, hoping this would keep the villagers quiet. The trick worked, and Sassui's father agreed to the marriage.


Punnun's brothers

Punnun’s father and brothers were against his marriage to Sassi(Punnun being a prince and she being a washerman's daughter), and so, for their father's sake, Punnun's brothers traveled to Bhambhor. First they threatened Punnun but when he didn't relent, they tried more devious methods.
Punnun was surprised to see his brothers supporting his marriage and on the first night, they pretended to enjoy and participate in the marriage celebrations and forced Punnun to drink different types of wines. When he was intoxicated they carried him on a camel’s back and returned to their hometown of Kicham.


The lovers meet their end


The next morning, when Sassi realized that she was cheated, she became mad with the grief of separation from her lover and ran barefoot towards the town of Kicham. To reach it, she had to cross miles of desert. Alone, she continued her journey until her feet were blistered and her lips were parched from crying "Punnun, Punnun!". The journey was full of dangerous hazards, which lead to her demise. Punnun’s name was on Sassi's lips throughout the journey. She was thirsty, there she saw a shepherd coming out of a hut. He gave her some water to drink. Seeing her incredible beauty, dirty lustful thoughts came into his mind, and he tried to force himself on Sassi. Sassi ran away and prayed to God to hide her and when God listened to her prayers, land shook and split and Sassi found herself buried in the valley of mountains. When Punnun woke he was himself in Makran he could not stop himself from running back to Bhambhor. On the way he called out "Sassi, Sassi!" to which the shepherd replied. The shepherd told Punnun the whole story. Then Punnun also lamented the same prayer, the land shook and split again and he was also buried in the same mountain valley as Sassi. The legendary grave still exists in this valley. Shah Abdul Latif Bhittai sings this historic tale in his sufi poetry as an example of eternal love and union with Divine

A love PRINCESS SASSI &PRINCE PUNNU 1400's india

Sassi means "Moon" - beautiful, was the only daughter of King Adam Khan of Bhambour, Sindh At her birth the astrologers predicted that she was a curse for the royal familys prestige. The king ordered that the child be put in a wooden chest with a taweez tied on her neck and a lot of jewellery and gold coins as her living expenditures and thrown into the Indus riverThe chest was seen floating by Atta Dhobi, a washer man. Atta believed the child was a blessing from God and took her home and adopted her as his child. Many, many years passed by and the king did not have another child, so he decides to get married again. When he heard that the daughter of Atta, Sassi, was as beautiful as the angels, the king summoned her to the palace
Sassi was still wearing the taweez (amulet), which the queen mother had put around her neck when she was taken away to be drowned. The king recognized his daughter immediately on seeing the taweez. The pent-up sufferings of the parents flowed into tears. They wanted their lost child to return to the palace and bring joy and brightness to their lives, but Sassi refused and preferred to live in the house where she had grown up. She refused to leave the man who had adopted her.

Sassi did not go to the palace but the king presented her with abundant gifts, lands and gardens where she could grow and blossom like a flower. As all the rare things of the world were within her reach she wanted to acquire knowledge and sent for learned teachers and scholars. She made sincere efforts to increase her knowledge. During this time she heard about the trader from Makran, who had a garden with a monument, the inner portion of which was enriched with exquisite paintings. When Sassi visited the place to offer her tributes and admire the rich art, she instantly fell in love with a painting, which was a masterpiece of heavenly creation. She soon discovered this was the portrait of Prince Punnu, son of King Jam Arao, the ruler of Turbat, Makran, the south west cost of Baluchistan, Pakistan.

Sassi became desperate to meet Punnu, so she issued an order that any businessman coming from Turbat should be presented before her. There was a flutter within the business community as this news spread and someone informed Punnu about Sassis love for him. He assumed the garb of a businessman and carrying a bagful of different perfumes came to meet Sassi. The moment Sassi saw him she couldn't help saying:
"Praise to be God!"

Punnus Baluchi brothers developed an enmity for Sassi. They followed him and on reaching the town they saw the marriage celebrations of Sassi and Punnu in full swing, they could not bear the rejoicing. That night the brothers pretended to enjoy and participate in the marriage celebrations and forced Punnu to drink different types of liquor. When he was dead drunk the brothers carried him on a camels back and returned to their hometown Turbat.

The next morning when she realized that she was cheated she became mad with the grief of separation from her lover and ran barefoot towards the city of Turbat. To reach the city she had to cross miles of desert land, the journey that was full of dangerous hazards, leading to the end of world.

Her end was similar to the end of Kaknoos bird. It is said that when this bird sings, fire leaps out from its wings and it is reduced to ashes in its own flames. Similarly Punnus name was the death song for Sassi who repeated it like a song and flames of fire leapt up and she was also reduced to ashes.

An Ancient Persian Love story shirin and Farhad TWO TRUE LOVERS

Coin of the Sassanid king Khusrau II the Victorious




the mountain dug up by farhad


An Ancient Persian Love story ( shirin and Farhad)

Historical setting
The story relates a love affair that takes place in a historical setting: the deposition, imprisonment, and blinding of the Persian Sasanian king Hormizd (579-590 CE), during an insurrection led by two maternal uncles of Prince Khosrow, designated to become king and probably party to the rebellion; the accession of Khosrow to his father’s throne (590 CE); the uprising of the army commander Bahram Chobin against the new king; and Khosrow’s flight to the Byzantine empire to seek help from the Caesar, Emperor Maurice (582-602 CE). These events, documented in the historical sources (Christensen, pp. 436-90), and narrated in detail in Ferdowsi’s Shahnama

The story depicts the love of Sassanian Khosrow II towards his Christian princess, Shirin. Khosrow and Shirin recounts the story of King Khosrow’s courtship of Princess Shirin, and vanquishing of his love-rival, Farhad by sending him on an exile to Behistun mountain with the impossible task of carving stairs out of the cliff rocks.


The story:-

"There is a place I know, high up in the mountains of Kurdistan. Where the crow roams freely and the snow finally meets the sun. Where you can fall wild like a mountain and run with a stone in your hand. This is where our story sleeps.
There was a brave man called Farhad, who loved a Princess named Shirin, but the Princess did not love him. Farhad tried in cain to gain access to the love-cell of Shirin's heart, but no one would dare betray the fact that a stonecutter loved a lady of royal blood. Farhad, in despair, would go to the mountains and spend his days without food, playing his flute sweet music in praise of Shirin. At last people thought to devise a plan to acquaint the Princess of the stone-cutter's love. She saw him once, and love which lived in his bosom also began to breathe in hers. But she dared not a mean laborer aspire to win the hand of a princess? It was not long, however, before the Shah himself heard the rumors of this extraordinary exchange of sentiment. He was naturally indignant at the discovery, but as he had no child other than Shirin, and Shirin was also pining away with love, he proposed to his daughter that her lover, being of common birth, must accomplish a task such as no man may be able to do, and then, and only then, might he be recommended to his favor.
The task which he skillfully suggested was that Shirin should ask her lover to dig a canal in the rocky land among the hills. The canal must be six lances in width and three lances deep and forty miles long!
The Princess had to convey her father's decision to Farhad, who forthwith shouldered his spade and started off to the hills to commence the gigantic task. He worked hard and broke the stones for years. He would start his work early in the morning when it was yet dark and never ceased from his labor till, owing to darkness, no man could see one yard on each side. Shirin secretly visited him and watched the hard working Farhad sleeping with his taysha (spade) under his head, his body stretched on the bed of stones. She noticed, with all the pride of a lover, that he cut her figure in the rocks at each six yards and she would sigh and return without him knowing.
Farhad worked for years and cut his canal; all was in readiness but his task was not yet finished, for he had to dig a well in the rocky beds of the mountains. He was half- way through, and would probably have completed it, when the Shah consulted his courtiers and sought their advice. His artifice had failed. Farhad had not perished in the attempt, and if all the conditions were in the attempt, and if all the conditions were in the attempt, and if all the conditions were fulfilled as they promised to be soon, his daughter must go to him in marriage. The Viziers suggested that an old woman should be sent to Farhad to tell him that Shirin was dead; then, perhaps, Farhad would become heart broken and leave off the work.
It was an ignoble trick, but it promised success and the Shah agreed to try it. So an old woman went to Farhad and wept and cried till words choked her; the stone-cutter asked her the cause of her bereavement.
"I weep for a deceased," she said, "and for you." "For a deceased and for me?" asked the surprised Farhad. "And how do you explain it?"
"Well, my brave man," said the pretender sobbingly, "you have worked so well, and for such a long time, too, but you have labored in vain, for the object of you devotion is dead!"
"What!" cried the bewildered man, "Shinin is dead?"
Such was his grief that he cut his head with the sharp taysha (spade) and died under the carved streamed into his canal was his own blood. When Shirin heard this she fled in great sorrow to the mountains where lay her wronged lover; it is said that she inflicted a wound in her own head at the precise spot where Farhad had struck himself, and with the same sharp edge of the spade which was stained with her lover's gore. No water ever flowed into the canal, but the two lovers were entombed in one and the same grave.
"There's a place where now the two lovers sleep. Side by side. Shirin and her Farhad. That place is very high up in the mountains of Kurdistan. And can only be reached when the snow comes washing down in spring. And stains blood red the cheeks of maidens. If you want to meet the two of them, you will have to ask the crow to take you there."

This writing is dedicated to all those whose hearts have been struck by love and to the one and only star in the sky of my heart....‘All else disappears when the thought of the beloved occupies the mind of the lover.’

origin of The centuries old Gotmar festival in memory of a youth of Pandura villagetrying to elope with his girl; from Savargaon on a new moon night

The Gotmar festival is celebrated every year on the day after the new moon in Bhadrapad month of the Hindu calendar. This year, it will be celebrated Aug 21

During the festival, men from Pandhurna and Sawargaon villages, located on opposite banks of the river Jamna in Chhindwara district, about 400 km from delhi, hurl stones at each other

Although there are many stories behind the origin of the ritual, according to the one that has been accepted by everyone, a youth of Pandura village was trying to elope with his girl ; from Savargaon on a new moon night when the villagers of both the hamlets started throwing stones at each other, resulting in the death of the lovers. The fair is held every year in their memory

Sohni Mahiwal LOVE STORY 1780

Tomb Of Sohni In Shahdad Pur
Sohni Mahiwal (Urdu/Punjabi: سوہنی مہیوال is one of the four popular tragic romances of the Punjab, Sindh in Pakistan. This is one of the four identity of Pakistans and Punjab Literature, Sohni lived In Punjab (now Pakistan) followed by Heer Ranjha, Mirza Sahiba and Sassi Punnun. The story is one of the most prominent examples of medieval poetic legends in the Punjabi, Seraiki and Sindhilanguages.

Sohni, the potter's daughter

Sohni was the daughter of a potter named Tula, wholived in Gujrat town in late Mughal period which is around 18th centuary, India was a subcontinent now the region of Sohnis home is Punjab in . Near the River chenab there was caravan trade route between Bukhara and Delhi. As soon as the 'Surahis' (water pitchers) and mugs came off the wheels, she would draw floral designs on them and transform them into masterpieces of art.

Izzat Baig of Bukhara

Izzat Baig, the rich trader from Bukhara (Uzbekistan), came to India on business but when he saw the beautiful Sohni in the town of Gujrat in Punjab he was completely enchanted. Instead of keeping 'mohars' (gold coins) in his pockets, he roamed around with his pockets full of love. Just to get a glimpse of Sohni, he would end up buying the water pitchers and mugs everyday.

Sohni lost her heart to Izzat Baig. Instead of making floral designs on earthenware, she started building castles of love in her dreams. Izzat Baig sent off his companions to Bukhara. He took up the job of a servant in the house of Tula, Sohni's father. He would even take their buffaloes for grazing. Soon, he came to be known as "Mahiwal"(buffalo herder).

[edit]Sohni's marriage

When the people started spreading rumours about the love of Sohni and Mahiwal, without her consent her parents arranged her marriage with another potter.

Suddenly, one day his "barat" (marriage party) arrived at the threshold of her house. Sohni was helpless and in a poignant state. Her parents bundled her off in the doli (palanquin), but they could not pack off her love in any doli (box).

Izzat Baig renounced the world and started living like a "faqir" (hermit) in a small hut across the river. The earth of Sohni’s land was like a dargah (shrine) for him. He had forgotten his own land, his own people and his world. Taking advantage of the darkness of the night, when the world was fast asleep, Sohni would come by the riverside and Izzat Baig would swim across the river to meet her. He would regularly roast a fish and bring it for her. It is said that once, when due to high tide he could not catch a fish, Mahiwal cut a piece of his thigh and roasted it. Seeing the bandage on his thigh, Sohni opened it, saw the wound and cried.

[edit]The End

Sohni Swims to Meet Her Lover Mahinwal, circa 1780 Painting fromLACMA

From the next day, Sohni started swimming across the river with the help of an earthen pitcher as Izzat Baig was so badly wounded and could not swim across the river. Soon, the rumours of their romantic rendezvous spread. One-day Sohni’s sister-in-law followed her and saw the hiding place where Sohni used to keep her earthen pitcher among the bushes. The next day, the sister-in-law removed the hard baked pitcher and replaced it with an unbaked one. That night, when Sohni tried to cross the river with the help of the pitcher, it dissolved in the water and Sohni drowned in the river. From the other side of the river, Mahiwal saw Sohni drowning and jumped into the river and drowned as well.

Sohni's Tomb

Sohni lies buried in Shahdapur, Sindh, some 75 km from Hyderabad, According to the legend the bodies of Sohni Mahiwal were recovered from the River Indus near this city and hence are buried there.

The love story of Sohni and Mahiwal has been the inpiration for numerous songs and poetry in, including Pathanay Khan's famous song "Sohni Gharay nu akha di mainu yaar milawa". An Indian film was also made with the name Sohni-Mahiwal(1984) starring Sunny Deol and Poonam Dhillon.

Kunwar Manohar and Madhumalati.A LOVE STORY

Ali Adil Shah II (1656-72 of Bijapur.He was a poet .Ali was called ‘ustad-e-alam.(his court poet Mohd. Nusrat ‘Nusrati’ who gave him this title)

His masterpiece is the long poem: ‘Gulshan-e-ishq’ (The Garden of Love) which is the love story of Kunwar Manohar and Madhumalati. In this Nusrati is considered at his descriptive best. There is a liberal use of similes and metaphors in the description of the beauty of Madhu Malati, and of palaces, landscapes, and ceremonies.

A LOVE STORY Yusuf & Zuleikha

Yusuf Entertained in Court Before His Marriage to Zuleikha.

Persian, 16th century

mirza and sahiban

THE EARLIEST WRITING ABOUT THE LOVE STORY OF MIRZA AND SAHIBAN IS AT THE TIME OF AURANGAZEB

Mirza Sahiba (Punjabi: ਿਮਰਜ਼ਾ ਸਾਹਿਬਾਂ, مرزا صاحباں, mirzā sāhibāṁ) is one of the four popular tragic romances of thePunjab . The other three are Heer Ranjha, Sassi Punnun and Sohni Mahiwal. Mirza Sahiba is one of the the classical Punjabi and Sindhi love stories just like Sassi Punnun, Heer Ranjha and Sohni Mahiwal.

Story

Mirza–Sahiban is a treasure of Punjabi literature. It is a romantic tragedy. Sahiban was a love-lorn soul. Shayer Pillo raves about her beauty and says," As Sahiban stepped out with a lungi tied around her waist, the nine angels died on seeing her beauty.

Mirza and Sahiban were cousins not childhood playmates,mirza was sahiba's mother's brother's son as mentioned in many books and folk tales in punjab, fell in love with each other. But when this beauty is about to be wedded forcibly to Tahar Khan by her parents, without any hesitation she sends a taunting message to Mirza, whom she loves, to his village Danabad, through a Brahmin called Kammu.

"You must come and decorate Sahiban’s hand with the marriage henna."

Mirza Khan was the son of Wanjhal Khan, the leader of the Kharal tribe in Danabad, a town in the Jaranwala area ofFaisalabad, Pakistan. Sahiba was the daughter of Mahni, the chief of Khewa, a town in Sial Territory in the Jhangdistrict Punjab,Pakistan. Mirza was sent to his relatives' house in Khewa to study, where he met Sahiba and they fell in love. Her family opposed the relationship, and instead arranged a marriage with a member of the Chadhar family.

This is the time you have to protect your self respect and love, keep your promises, and sacrifice your life for truth. Mirza arrived on his horse, Bakki the night before the wedding and secretly carried her away, planning to elope. Sahiba's brothers got to know about this and decided to follow them. On the way, as Mirza lies under the shade of a tree to rest for a few moments, Sahiba's brothers caught up with them.

Sahiba was a virtuous and a beautiful soul who did not desire any bloodshed to mar the one she loved. She did not want her hands drenched in blood instead of henna. She thinks Mirza cannot miss his target, and if he strikes, her brothers would surely die. Before waking up Mirza, Sahiban breaks his arrows so he can't use them. She presumes on seeing her, her brothers would feel sorry and forgive Mirza and take him in their arms. But the brothers attack Mirza and kill him. Sahiban takes a sword and slaughters herself and thus bids farewell to this world.

hir-ranjha a love story

The text opens in Jhang, a town in the Punjab on the river Chenab, and by introducing Chuchak, a leading sardar, or headman, of the Sials, a prominent clan of the area. Chuchak had four sons, and a younger daughter, Hir. Hir was raised with great affection. When she was nine years old, Hir was engaged to Seido of the Khera clan of Rangpur.

At this time, a boatman named Ludden came to Chuchak seeking work. Ludden had previously worked for the sardar Nooran Sambal, but left his employment because of an insult. Chuchak hired Ludden to provide rides to Hir and her friends (an entourage of 360 girls) on the Chenab river. Ludden’s boat was outfitted with a bed upon which no one but Hir was to sleep.

Nooran was enraged to learn that Ludden, who had been in his employment, now worked for Chuchak. Taking this as an insult, he demanded that Chuchak return Ludden to his service. When his demand was rejected, Nooran and his army of soldiers attacked Jhang, the home of the Sials. Hir and her friends took up arms and intercepted Nooran’s forces, fending off the attack. During the battle, twelve of Nooran’s men and nine of Hir’s friends were killed. When news of the battle spread, Hir’s brothers were enraged that she fought the intruders without informing them.

The story then moves to Takht Hazara. Ranjha was the youngest of Moju Chaudhry’s four sons. Ranjha’s mother died giving birth to him. While Ranjha was still a youth, Moju arranged his betrothal. Before the wedding took place, however, Moju died. After their father’s death, Ranjha’s brothers, ever jealous of him, taunted him until he finally left home. Ranjha spent his first night away from home in a mosque. There a village girl became entranced with Ranjha and wanted to marry him, but Ranjha escaped her advances.

The following day, Ranjha arrived at the banks of the river Chenab. He played his flute and the panj pir came to him and betrothed Hir to him. The panj pir also appeared to Hir in a dream and told her that she was destined for Ranjha. The following day Ranjha met Ludden. Ranjha mesmerized Ludden by playing his flute and received his permission to sleep in Hir’s bed. Hir was outraged when she found someone sleeping in her bed, and Ranjha fled. But Hir followed him. When the two finally met, they immediately fell in love and Hir took Ranjha to her home.

Chuchak took pity on Ranjha’s condition as a landowner’s son who had fallen on hard times. Chuchak vowed to keep Ranjha as his own son. Ranjha, however, only sought employment and was thus hired as a cowherd. Hir and Ranjha met clandestinely in the fields where Ranjha grazed her father’s buffaloes, and their love flourished. Over time, members of Hir’s family and her father’s brother Keido, in particular, began to suspect that Hir and Ranjha were in love. Rumors to this effect began to circulate in Jhang, but Hir’s parents ignored any insinuations of impropriety. Hir didn’t enjoy an amicable relationship with her uncle Keido, however. In his spite, Keido conspired one evening with Hir’s brothers to kill Ranjha. Keido and Hir’s brothers were thwarted by the panj pir who inflicted great punishment on them.

One day, Chuchak saw Hir and Ranjha’s illicit relationship with his own eyes. He immediately dismissed Ranjha and arranged for Hir to be married to her childhood fiancé, Seido of the Khera clan. In her bridal palanquin, Hir told Seido about Ranjha. At this, the Kheras resolved to kill Ranjha but again the panj pir intervened and saved him. At her in-laws home in Rangpur, Hir took no interest in her marriage. Blaming Ranjha for Hir’s insolent behavior, the Kheras again conspired to kill Ranjha. Ranjha, who had come to Rangpur with the wedding party, now left, going first to Jhang and then on to Takht Hazara where his fiancé was awaiting him. Yaqub Viraich, his father-in-law-to-be, questioned Ranjha about his intentions. Ranjha refused to marry Viraich’s daughter and she was betrothed elsewhere.

A character named Ramu Brahman came to Takht Hazara at this juncture with a message for Ranjha from Hir. Receiving this message, Ranjha went to Tilla Jogian where he was inducted into the Balnath yogi sect. He then went to Jhang and on to Rangpur in the guise of a yogi. At Rangpur, Ranjha camped outside the village. Sehti, Hir’s sister-in-law, learned of the relationship between Hir and Ranjha and agreed to help them. Sehti arranged a meeting for them by having Hir feign a snake bite for which the yogi’s assistance would be necessary. The lovers Hir and Ranjha met under this pretense and ran away together. The Kheras pursued them and Hir and Ranjha took refuge with the Nahar Jats. A fight ensued between Ranjha and the Kheras. Hir and Ranjha went to the qazi (Muslim cleric) of Kot Kabuli seeking justice. After listening to the entire affair, the qazi gave a verdict in favor of the Kheras. Hir was taken back to her in-laws’ home and Ranjha was sentenced to death. Before the verdict was carried out, an uncontrollable fire destroyed Kot Kabuli. The town’s residents interpreted the catastrophe as direct retribution for the verdict against Hir and Ranjha. Seeing the destruction of their town as divine sanction of Hir and Ranjha’s love, they insisted that Hir and Ranjha be reunited. Hir was returned to Ranjha and, at the end of the tale, the two head in the direction of Mecca.