Saturday, August 22, 2009

An Ancient Persian Love story shirin and Farhad TWO TRUE LOVERS

Coin of the Sassanid king Khusrau II the Victorious




the mountain dug up by farhad


An Ancient Persian Love story ( shirin and Farhad)

Historical setting
The story relates a love affair that takes place in a historical setting: the deposition, imprisonment, and blinding of the Persian Sasanian king Hormizd (579-590 CE), during an insurrection led by two maternal uncles of Prince Khosrow, designated to become king and probably party to the rebellion; the accession of Khosrow to his father’s throne (590 CE); the uprising of the army commander Bahram Chobin against the new king; and Khosrow’s flight to the Byzantine empire to seek help from the Caesar, Emperor Maurice (582-602 CE). These events, documented in the historical sources (Christensen, pp. 436-90), and narrated in detail in Ferdowsi’s Shahnama

The story depicts the love of Sassanian Khosrow II towards his Christian princess, Shirin. Khosrow and Shirin recounts the story of King Khosrow’s courtship of Princess Shirin, and vanquishing of his love-rival, Farhad by sending him on an exile to Behistun mountain with the impossible task of carving stairs out of the cliff rocks.


The story:-

"There is a place I know, high up in the mountains of Kurdistan. Where the crow roams freely and the snow finally meets the sun. Where you can fall wild like a mountain and run with a stone in your hand. This is where our story sleeps.
There was a brave man called Farhad, who loved a Princess named Shirin, but the Princess did not love him. Farhad tried in cain to gain access to the love-cell of Shirin's heart, but no one would dare betray the fact that a stonecutter loved a lady of royal blood. Farhad, in despair, would go to the mountains and spend his days without food, playing his flute sweet music in praise of Shirin. At last people thought to devise a plan to acquaint the Princess of the stone-cutter's love. She saw him once, and love which lived in his bosom also began to breathe in hers. But she dared not a mean laborer aspire to win the hand of a princess? It was not long, however, before the Shah himself heard the rumors of this extraordinary exchange of sentiment. He was naturally indignant at the discovery, but as he had no child other than Shirin, and Shirin was also pining away with love, he proposed to his daughter that her lover, being of common birth, must accomplish a task such as no man may be able to do, and then, and only then, might he be recommended to his favor.
The task which he skillfully suggested was that Shirin should ask her lover to dig a canal in the rocky land among the hills. The canal must be six lances in width and three lances deep and forty miles long!
The Princess had to convey her father's decision to Farhad, who forthwith shouldered his spade and started off to the hills to commence the gigantic task. He worked hard and broke the stones for years. He would start his work early in the morning when it was yet dark and never ceased from his labor till, owing to darkness, no man could see one yard on each side. Shirin secretly visited him and watched the hard working Farhad sleeping with his taysha (spade) under his head, his body stretched on the bed of stones. She noticed, with all the pride of a lover, that he cut her figure in the rocks at each six yards and she would sigh and return without him knowing.
Farhad worked for years and cut his canal; all was in readiness but his task was not yet finished, for he had to dig a well in the rocky beds of the mountains. He was half- way through, and would probably have completed it, when the Shah consulted his courtiers and sought their advice. His artifice had failed. Farhad had not perished in the attempt, and if all the conditions were in the attempt, and if all the conditions were in the attempt, and if all the conditions were fulfilled as they promised to be soon, his daughter must go to him in marriage. The Viziers suggested that an old woman should be sent to Farhad to tell him that Shirin was dead; then, perhaps, Farhad would become heart broken and leave off the work.
It was an ignoble trick, but it promised success and the Shah agreed to try it. So an old woman went to Farhad and wept and cried till words choked her; the stone-cutter asked her the cause of her bereavement.
"I weep for a deceased," she said, "and for you." "For a deceased and for me?" asked the surprised Farhad. "And how do you explain it?"
"Well, my brave man," said the pretender sobbingly, "you have worked so well, and for such a long time, too, but you have labored in vain, for the object of you devotion is dead!"
"What!" cried the bewildered man, "Shinin is dead?"
Such was his grief that he cut his head with the sharp taysha (spade) and died under the carved streamed into his canal was his own blood. When Shirin heard this she fled in great sorrow to the mountains where lay her wronged lover; it is said that she inflicted a wound in her own head at the precise spot where Farhad had struck himself, and with the same sharp edge of the spade which was stained with her lover's gore. No water ever flowed into the canal, but the two lovers were entombed in one and the same grave.
"There's a place where now the two lovers sleep. Side by side. Shirin and her Farhad. That place is very high up in the mountains of Kurdistan. And can only be reached when the snow comes washing down in spring. And stains blood red the cheeks of maidens. If you want to meet the two of them, you will have to ask the crow to take you there."

This writing is dedicated to all those whose hearts have been struck by love and to the one and only star in the sky of my heart....‘All else disappears when the thought of the beloved occupies the mind of the lover.’

origin of The centuries old Gotmar festival in memory of a youth of Pandura villagetrying to elope with his girl; from Savargaon on a new moon night

The Gotmar festival is celebrated every year on the day after the new moon in Bhadrapad month of the Hindu calendar. This year, it will be celebrated Aug 21

During the festival, men from Pandhurna and Sawargaon villages, located on opposite banks of the river Jamna in Chhindwara district, about 400 km from delhi, hurl stones at each other

Although there are many stories behind the origin of the ritual, according to the one that has been accepted by everyone, a youth of Pandura village was trying to elope with his girl ; from Savargaon on a new moon night when the villagers of both the hamlets started throwing stones at each other, resulting in the death of the lovers. The fair is held every year in their memory

Monday, July 13, 2009

Sohni Mahiwal LOVE STORY 1780















Tomb Of Sohni In Shahdad Pur
Sohni Mahiwal (Urdu/Punjabi: سوہنی مہیوال is one of the four popular tragic romances of the Punjab, Sindh in Pakistan. This is one of the four identity of Pakistans and Punjab Literature, Sohni lived In Punjab (now Pakistan) followed by Heer Ranjha, Mirza Sahiba and Sassi Punnun. The story is one of the most prominent examples of medieval poetic legends in the Punjabi, Seraiki and Sindhilanguages.

Sohni, the potter's daughter

Sohni was the daughter of a potter named Tula, wholived in Gujrat town in late Mughal period which is around 18th centuary, India was a subcontinent now the region of Sohnis home is Punjab in . Near the River chenab there was caravan trade route between Bukhara and Delhi. As soon as the 'Surahis' (water pitchers) and mugs came off the wheels, she would draw floral designs on them and transform them into masterpieces of art.


Izzat Baig of Bukhara

Izzat Baig, the rich trader from Bukhara (Uzbekistan), came to India on business but when he saw the beautiful Sohni in the town of Gujrat in Punjab he was completely enchanted. Instead of keeping 'mohars' (gold coins) in his pockets, he roamed around with his pockets full of love. Just to get a glimpse of Sohni, he would end up buying the water pitchers and mugs everyday.

Sohni lost her heart to Izzat Baig. Instead of making floral designs on earthenware, she started building castles of love in her dreams. Izzat Baig sent off his companions to Bukhara. He took up the job of a servant in the house of Tula, Sohni's father. He would even take their buffaloes for grazing. Soon, he came to be known as "Mahiwal"(buffalo herder).

[edit]Sohni's marriage

When the people started spreading rumours about the love of Sohni and Mahiwal, without her consent her parents arranged her marriage with another potter.

Suddenly, one day his "barat" (marriage party) arrived at the threshold of her house. Sohni was helpless and in a poignant state. Her parents bundled her off in the doli (palanquin), but they could not pack off her love in any doli (box).

Izzat Baig renounced the world and started living like a "faqir" (hermit) in a small hut across the river. The earth of Sohni’s land was like a dargah (shrine) for him. He had forgotten his own land, his own people and his world. Taking advantage of the darkness of the night, when the world was fast asleep, Sohni would come by the riverside and Izzat Baig would swim across the river to meet her. He would regularly roast a fish and bring it for her. It is said that once, when due to high tide he could not catch a fish, Mahiwal cut a piece of his thigh and roasted it. Seeing the bandage on his thigh, Sohni opened it, saw the wound and cried.

[edit]The End

Sohni Swims to Meet Her Lover Mahinwal, circa 1780 Painting fromLACMA

From the next day, Sohni started swimming across the river with the help of an earthen pitcher as Izzat Baig was so badly wounded and could not swim across the river. Soon, the rumours of their romantic rendezvous spread. One-day Sohni’s sister-in-law followed her and saw the hiding place where Sohni used to keep her earthen pitcher among the bushes. The next day, the sister-in-law removed the hard baked pitcher and replaced it with an unbaked one. That night, when Sohni tried to cross the river with the help of the pitcher, it dissolved in the water and Sohni drowned in the river. From the other side of the river, Mahiwal saw Sohni drowning and jumped into the river and drowned as well.


Sohni's Tomb

Sohni lies buried in Shahdapur, Sindh, some 75 km from Hyderabad, According to the legend the bodies of Sohni Mahiwal were recovered from the River Indus near this city and hence are buried there.

The love story of Sohni and Mahiwal has been the inpiration for numerous songs and poetry in, including Pathanay Khan's famous song "Sohni Gharay nu akha di mainu yaar milawa". An Indian film was also made with the name Sohni-Mahiwal(1984) starring Sunny Deol and Poonam Dhillon.

Kunwar Manohar and Madhumalati.A LOVE STORY

Ali Adil Shah II (1656-72 of Bijapur.He was a poet .Ali was called ‘ustad-e-alam.(his court poet Mohd. Nusrat ‘Nusrati’ who gave him this title)

His masterpiece is the long poem: ‘Gulshan-e-ishq’ (The Garden of Love) which is the love story of Kunwar Manohar and Madhumalati. In this Nusrati is considered at his descriptive best. There is a liberal use of similes and metaphors in the description of the beauty of Madhu Malati, and of palaces, landscapes, and ceremonies.

A LOVE STORY Yusuf & Zuleikha





















Yusuf Entertained in Court Before His Marriage to Zuleikha.
Persian, 16th century

mirza and sahiban

THE EARLIEST WRITING ABOUT THE LOVE STORY OF MIRZA AND SAHIBAN IS AT THE TIME OF AURANGAZEB
Mirza Sahiba (Punjabi: ਿਮਰਜ਼ਾ ਸਾਹਿਬਾਂ, مرزا صاحباں, mirzā sāhibāṁ) is one of the four popular tragic romances of thePunjab . The other three are Heer Ranjha, Sassi Punnun and Sohni Mahiwal. Mirza Sahiba is one of the the classical Punjabi and Sindhi love stories just like Sassi Punnun, Heer Ranjha and Sohni Mahiwal.

Story

Mirza–Sahiban is a treasure of Punjabi literature. It is a romantic tragedy. Sahiban was a love-lorn soul. Shayer Pillo raves about her beauty and says," As Sahiban stepped out with a lungi tied around her waist, the nine angels died on seeing her beauty.

Mirza and Sahiban were cousins not childhood playmates,mirza was sahiba's mother's brother's son as mentioned in many books and folk tales in punjab, fell in love with each other. But when this beauty is about to be wedded forcibly to Tahar Khan by her parents, without any hesitation she sends a taunting message to Mirza, whom she loves, to his village Danabad, through a Brahmin called Kammu.

"You must come and decorate Sahiban’s hand with the marriage henna."

Mirza Khan was the son of Wanjhal Khan, the leader of the Kharal tribe in Danabad, a town in the Jaranwala area ofFaisalabad, Pakistan. Sahiba was the daughter of Mahni, the chief of Khewa, a town in Sial Territory in the Jhangdistrict Punjab,Pakistan. Mirza was sent to his relatives' house in Khewa to study, where he met Sahiba and they fell in love. Her family opposed the relationship, and instead arranged a marriage with a member of the Chadhar family.

This is the time you have to protect your self respect and love, keep your promises, and sacrifice your life for truth. Mirza arrived on his horse, Bakki the night before the wedding and secretly carried her away, planning to elope. Sahiba's brothers got to know about this and decided to follow them. On the way, as Mirza lies under the shade of a tree to rest for a few moments, Sahiba's brothers caught up with them.

Sahiba was a virtuous and a beautiful soul who did not desire any bloodshed to mar the one she loved. She did not want her hands drenched in blood instead of henna. She thinks Mirza cannot miss his target, and if he strikes, her brothers would surely die. Before waking up Mirza, Sahiban breaks his arrows so he can't use them. She presumes on seeing her, her brothers would feel sorry and forgive Mirza and take him in their arms. But the brothers attack Mirza and kill him. Sahiban takes a sword and slaughters herself and thus bids farewell to this world.

hir-ranjha a love story

The text opens in Jhang, a town in the Punjab on the river Chenab, and by introducing Chuchak, a leading sardar, or headman, of the Sials, a prominent clan of the area. Chuchak had four sons, and a younger daughter, Hir. Hir was raised with great affection. When she was nine years old, Hir was engaged to Seido of the Khera clan of Rangpur.

At this time, a boatman named Ludden came to Chuchak seeking work. Ludden had previously worked for the sardar Nooran Sambal, but left his employment because of an insult. Chuchak hired Ludden to provide rides to Hir and her friends (an entourage of 360 girls) on the Chenab river. Ludden’s boat was outfitted with a bed upon which no one but Hir was to sleep.

Nooran was enraged to learn that Ludden, who had been in his employment, now worked for Chuchak. Taking this as an insult, he demanded that Chuchak return Ludden to his service. When his demand was rejected, Nooran and his army of soldiers attacked Jhang, the home of the Sials. Hir and her friends took up arms and intercepted Nooran’s forces, fending off the attack. During the battle, twelve of Nooran’s men and nine of Hir’s friends were killed. When news of the battle spread, Hir’s brothers were enraged that she fought the intruders without informing them.

The story then moves to Takht Hazara. Ranjha was the youngest of Moju Chaudhry’s four sons. Ranjha’s mother died giving birth to him. While Ranjha was still a youth, Moju arranged his betrothal. Before the wedding took place, however, Moju died. After their father’s death, Ranjha’s brothers, ever jealous of him, taunted him until he finally left home. Ranjha spent his first night away from home in a mosque. There a village girl became entranced with Ranjha and wanted to marry him, but Ranjha escaped her advances.

The following day, Ranjha arrived at the banks of the river Chenab. He played his flute and the panj pir came to him and betrothed Hir to him. The panj pir also appeared to Hir in a dream and told her that she was destined for Ranjha. The following day Ranjha met Ludden. Ranjha mesmerized Ludden by playing his flute and received his permission to sleep in Hir’s bed. Hir was outraged when she found someone sleeping in her bed, and Ranjha fled. But Hir followed him. When the two finally met, they immediately fell in love and Hir took Ranjha to her home.

Chuchak took pity on Ranjha’s condition as a landowner’s son who had fallen on hard times. Chuchak vowed to keep Ranjha as his own son. Ranjha, however, only sought employment and was thus hired as a cowherd. Hir and Ranjha met clandestinely in the fields where Ranjha grazed her father’s buffaloes, and their love flourished. Over time, members of Hir’s family and her father’s brother Keido, in particular, began to suspect that Hir and Ranjha were in love. Rumors to this effect began to circulate in Jhang, but Hir’s parents ignored any insinuations of impropriety. Hir didn’t enjoy an amicable relationship with her uncle Keido, however. In his spite, Keido conspired one evening with Hir’s brothers to kill Ranjha. Keido and Hir’s brothers were thwarted by the panj pir who inflicted great punishment on them.

One day, Chuchak saw Hir and Ranjha’s illicit relationship with his own eyes. He immediately dismissed Ranjha and arranged for Hir to be married to her childhood fiancé, Seido of the Khera clan. In her bridal palanquin, Hir told Seido about Ranjha. At this, the Kheras resolved to kill Ranjha but again the panj pir intervened and saved him. At her in-laws home in Rangpur, Hir took no interest in her marriage. Blaming Ranjha for Hir’s insolent behavior, the Kheras again conspired to kill Ranjha. Ranjha, who had come to Rangpur with the wedding party, now left, going first to Jhang and then on to Takht Hazara where his fiancé was awaiting him. Yaqub Viraich, his father-in-law-to-be, questioned Ranjha about his intentions. Ranjha refused to marry Viraich’s daughter and she was betrothed elsewhere.

A character named Ramu Brahman came to Takht Hazara at this juncture with a message for Ranjha from Hir. Receiving this message, Ranjha went to Tilla Jogian where he was inducted into the Balnath yogi sect. He then went to Jhang and on to Rangpur in the guise of a yogi. At Rangpur, Ranjha camped outside the village. Sehti, Hir’s sister-in-law, learned of the relationship between Hir and Ranjha and agreed to help them. Sehti arranged a meeting for them by having Hir feign a snake bite for which the yogi’s assistance would be necessary. The lovers Hir and Ranjha met under this pretense and ran away together. The Kheras pursued them and Hir and Ranjha took refuge with the Nahar Jats. A fight ensued between Ranjha and the Kheras. Hir and Ranjha went to the qazi (Muslim cleric) of Kot Kabuli seeking justice. After listening to the entire affair, the qazi gave a verdict in favor of the Kheras. Hir was taken back to her in-laws’ home and Ranjha was sentenced to death. Before the verdict was carried out, an uncontrollable fire destroyed Kot Kabuli. The town’s residents interpreted the catastrophe as direct retribution for the verdict against Hir and Ranjha. Seeing the destruction of their town as divine sanction of Hir and Ranjha’s love, they insisted that Hir and Ranjha be reunited. Hir was returned to Ranjha and, at the end of the tale, the two head in the direction of Mecca.